LFCC, Birmingham, and Sunden changes of plan

Firstly a big thanks to everyone who came and saw us at London Film and Comic-con at Olympia. For those of you who keep up with my random Facebook postings you’ll know at one point it was touch and go if I’d make it at all! I’m so glad we did, the new layout made walking around a lot easier with wider aisles plus less stair climbing with almost everything on one floor. I’ve already booked for next year, so I’m hopping to make that a regular appearance from now one (fingers crossed!)

 Although this past month has taught me that all plans can suddenly change at the last minute. A combination of transport problems and ill family member two weeks before LFCC caused some very fast change of plans, plus a few sleepless nights trying to re-arrange everything I’d put into place months before. I do dedicate a lot of time and energy before these events to ensure I have everything I need as well as a good choice of some of my best glass for people to choose – but then I also expect last minute things to go wrong, and as much as I make contingency plans forgetting to pack things like enough business cards does still happen!

Recent events behind the scenes means that I am going to have to radically change a few things over the next few months, and regrettably November’s Birmingham MCM at NEC is going to have to be one of the events I am not going to be able to attend. It’s really a shame, as it is such a relaxed event, we meet such great people there, and as a bonus Birmingham has some of the best curry houses we get to visit too! At the moment we may also have to miss the March 2017 one too, but I’m hoping things get resolved before then so we can make our return then. Also I am only able to get to Covent Garden one day a week at the moment, on Tuesdays, and I am also hoping in the next few months that I will be able to get there for more days too. I do also hope to also increase the amount of glass in my Etsy shop too, which not prepping for Birmingham will allow me more time to concentrate on too.

One show that definitely we will be at is London’s MCM Expo at Excel on 28-30^th October. Not only will we be back with as much as I can carry but we will be in exactly the same spot at May, with a ‘booth’ style stall too which makes it much easier to layout and display the glass for you to see. I’m already making new aliens for it, I’ll be extending the range of coloured inks for dip pens too which previewed at LFCC, including three new metallic colours. There will also be pendants, marbles, more rings and earrings, and if we have room some more boxes and ‘B-Movie’ cushions too. I do hope to see you there, so long as nothing else happens in the meantime!

All the best

Glenn

Green Man Mask continued

I've taken the annealed mask out of the kiln and started work on adding more leaves and details. So far I've learnt;

Getting quite far along, still needs a few more hours yet

1) I need to think more about my work flow.
     I didn't really expect this first attempt to go so well, and jumped around the sculpture a little too much. This has left some areas under more stress as some leaves pull on others, and when I start heating sometimes this stress has caused parts further away to snap. There was quite a lot of re-joining and tweaking as I went back over areas, even just as I finished one of the first leaves came away that'll need re attaching.
    This time I went a little slower, as I added each new leaf I took time to make sure it was well joined, then while it was still hot (and the new join a little flexible still) joined it anywhere else it was touching the main structure to ensure it has at least two firm hold points, then re-heated the first joins just to make sure. I think 'just to make sure' should be the motto for doing this sort of work!

2) Nice work for hot weather.
      I do really need to get more pendants and big marbles made for the next Expo (yes I know it's months away, but foolishly I did book both London and Birmingham which are only separated by a few weeks). It's not too bad until the afternoon when the sun swings around, and the kiln starts getting hotter. This makes a nice change, and as I only need one wheezy old oxycon and the extractor hood on it makes for quite a quite and chilled out working.

3) Tricky to light, ok once lit
      Talking of old oxycons, it can be a bit tricky to get the mini torch to light and stay lit to start with. It might be because it takes quite a while to get all the air out of the oxygen and propane lines, once it has though it seems (mostly) ok so long as I don't have to turn it back off and on again! This is where a stand would be really helpful, if it allowed it to stay lit when needing both hands free.

4) Tidy that workbench
      Actually, I can't really see that happening, I even get around not needing to tidy it when working 104 glass by putting a board over the top of the debris! A separate little work area, with really, really good light would be ideal though, maybe that's a little higher too.

5) More plaster, less filler
      This poor face cast is starting to look like a bit of a burns victim, or something sort of Evil living-dead-doll from an Asian Horror film! The modroc is charring when the surface gets knocked or flakes off, so a thicker plaster/quartz layer might be better. Maybe also use chicken wire for strengthening instead. I mostly used modroc originally because I happened to have a big unused bag, and it makes quite light casts.

Charred and battered cast

6) Stay calm! Make good support underwear and it can be fixed!
      Hard to do when you heat up one area and another goes 'crack,' but that really probably comes down to the initial problems with not making some of the first joins as well as I should have or putting others under too much stress. Having to go back and re attach them has probably made the whole sculpture stronger and better made though. Next time I'll have to think more carefully about the best way of putting down those first leaves that become the scaffold for the rest of the sculpture.

7) Make more leaves
     This uses a huge amount of leaves, which is ok as I wanted to define the shape just in leaves anyway, but I never seem to make enough. When I've looked at Green Man pictures and original church stone sculptures they make most of the face with very few leaves. Sometimes it's one per face area (i.e. one of each cheek, one for the nose) and then stretch them out to make the shape. I wanted these green faces to be more like you might see them, when in a glimpse out of the corner of your eye the overall shape of the branches and leaves in the trees suggest a face, but then when you look it's gone. Or is that just me?

All in all this has been an interesting project, although it's not finished the next questions are 'do I make another in coloured glass,' and 'do I leave clear or sandblast it to a frosted finish?' And if I did frost it, it then leaves another decision, to then leave it as it is or paint it which leaves a nice matt finish? Mind you, as I don't have an airbrush/sandblaster yet it's probably not really a relevant set of questions!

In other news I might only be at Greenwich this Sunday (or not at all, I'm not sure if I can make it yet) so I am hoping to get some more marbles listed into my Etsy shop this week. As usual I'll give a heads up on Facebook to let you know when I start getting them listed.

Alien Sea Huntress

Or it might end up just being called Sea Huntress, or The Huntress. In my mind it's just 'why have I got this crazy necklace idea in my head? I've got enough half finished projects already without starting another one!'

This nearly did stall, and I know that I could still be tweaking it, but I'm trying to get back to one of the earliest lessons' I learnt with glass - stop, move on; that's as good as you can do for now, learn by it and take those lessons to the next thing you make. Easier said than done, I even posted some earlier pictures on Frit Happens to get some feedback to see what needed tweaking. I almost ended up with too many ideas of changes, so after a dozen more times threading and unthreading it, moving elements around, adding and taking them away, it ended up going very nearly back to how it started. I did find adding a few small Tibetan spacer beads helped some of the claws sit more neatly, which ended up being the main tweak. I wasn't going to put the spike in the centre, and just have the two claws facing each other, but when I did it was just crying out for something major between them. I even had to make beads for it - yes beads! I hardly ever make beads, and I hated the first ones, but then remembered some 'bumpy' style ones I'd seen somewhere, so made some like that which I really liked, and as a bonus kept more of the metallic lusters.

It's been an interesting project, and bizarrely came from working on the Alien monsters, where I'd developed some interesting ways of adding colour and texture. With this one the colour has a really, really, high silver and metal content, so in real life has some wonderful metallic lusters. Oddly though parts of it show up as yellow when light shines through them, but green-blue when the light hits it straight on!

I am still deciding if I should list this on Etsy, or take it along to the May Expo. When I make things like this, I tend to think 'would this look like something someone of 'Farscape' would have worn?' If the answer is yes, or at least possiably, then I think it's right.

Talking of which, I have some news about the Aliens, but it's not confirmed yet, so you are going to have to wait until the next post, but I will post on my Facebook page as soon as I know it's going to happen.

In the meantime, here's lots of pictures of the necklace.

T-Minus 8 days... and counting...

In a few days I'll temporarily close my Etsy shop (so if you have you're eye on anything please grab it before next Monday!) as we're off to Birmingham for the MCM Comic-con & Memorabilia Expo at the NEC on 16-17th March. This is the first time I've been at this event, so not sure what to expect - appart from the chance to get a really good Balti curry of course!

New test alien lifeform

What is familiar is the impending chaos and worry I haven't got/done/made something, even this quick shot shows how I'm already getting burried under boxes and bits. As it was, I was going to write this blog a few days ago, and not had a chance to until this morning.

Somewhere, I put it down here somewhere....

 Quite a few things have had to go on hold, including inventing new Aliens, however I couldn't resist the chance to show you this little fellow. He needs a little more work, as this was a test piece, then a few more to keep him company and then a nice rock to mount the colony on. I'd imagine he's a sea urchin, the tendrils ontop will have stinging points to catch any unwary alien fish, and grip onto rocks on the shoreline. I have been rather inspired after seeing a post about the Cambrian explosion of life, http://phenomena.nationalgeographic.com/2013/02/18/weird-youth-animal-kingdom/ . This was a weird period when nature threw some very odd creatures together, it seems however strange some of my alien fauna and flora are, nature has got there before me with some really strange strangeness!

Plastic and Bullets

I seem to have several projects on the go, the problem often is finding time to finish them or just that last component that will make it work. Embarrassingly, for far too many months gathering dust I have some glass from another artist for a collaboration that have sat in a box in the corner of the workshop/office/studio/storeroom that I seem to live in right now. The problem with that one has been finding two odd bits that will bring it to life, plus some old text books that are buried in the attic. I am sure I will get to it (eventually.)



Crown blank neatly cut out by machine

A newer project that has been rattling around my head for a year or two saw a step closer this week to actually getting out of my head and into the real world. It is going to be a head-dress, or a crown, or something like that - it's still taking shape. I'd could describe it, but I won't, because partly it might spoil the magic of it comeing to life, but mostly because I'm not totally sure how it's going to come together yet.

One key part needed was some old bullet cases, but it's taken until my short New Year break to be able to pop along to a local army surplus store to rummage around for some fired blank shells in various sizes. At the same time I bought some blank tiara/alice bands from a haberdashers which were going to form the base. However once I'd got home I realised they were too thin, too flexiable, and also I'd need to bolt parts onto them at right angles.

Faced with having to cut out a crown shape by hand didn't really fill me with excitement. I was debating between aluminium sheet and acyrlic, both are light, acyrlic was cheaper but I remembered the problems I had last time when cutting through a sheet. I used my trusty electric scrollsaw, very carefully taking my time to saw through so I got a neat straight line. When I finaly got to the end the heat of the blade had just re-welded the plastic together again! So, aluminium it would be.

I was going to order a sheet when on Saturday morning I was setting up at Greenwich and inspiration was setting up a few stalls away in the shape of 'The Shed Laser Co.' who make all sorts of things out of acyrlic! I remember chatting to Sarah who said she could cut anything to order, so I described what I wanted, got a quote, and was sorted!


 Monday afternoon I spent drafting on the PC, then cutting out bits of paper trying to get the shape and sizes right, before emailing Sarah with the design - even down to having the holes so I didn't need to drill them out (and risk cracking the plastic while doing so.) Next Saturday morning I was at Greenwich she gave me the crown base, all neatly cut out! If I'd have done this by hand it wouldn't be anywhere near as neat, I'd have been hot and bothered, broken a few blades, and probably just put off doing it! If you want to do something like this too, and need some plastic 'printed' I know Sarah is in the market most weekends, and you can find 'Theshedlaserco' on facebook too! (I tried to put the link, but for somereason blogger doesn't want to!)

Hopefully there will be more on this head-dress/crown/head-art-installation in forthcoming blogs as i make up some more parts of it.

Sawdust January

Well, as expected, January hasn't gone quite to plan, but then I never really expected it to! The original plan was, tidy and sort out the work-spaces, make lots of stuff, work on some new experimental stuff, and do lots with the huge glass order I placed two weeks before Xmas.

I've managed to find time to make a few new marbles too!

The one big hold at the moment is a big order of coloured borosilicate glass, which left the USA warehouse on the 12th January. By 14th it had got to 'forwarded to exporter,' where it seemed to remain until 2nd, when on-line tracking said 'arrived in UK.' I finally heard today, on month later, it might have actually got through customs and just requires me to pay up for tax and duty before I can git my mitts on it!

In the meantime I have got some small degree of organisation going in the workshop. First on the list was the ever expanding quantity of jars containing frit and powder. I have quite alot of old baby food jars with special lids for plant micro-propagation (long story!)  These are ideal as they are designed to be removed with one hand, so I can easily pop the lid off one that I need to use whilst the other hand is holding a rod of hot glass ready.

Before

What I obviously needed was some kind of spice rack. I'd previously tried a 'lazy Susan' rotating stand to hold them, but it just seemed to take up too much desk room. The result isn't very neat or well made, but it does the job! The before and after photos show how much tidier it looks already!

I didn't realise how much frit I'd acquired, some of them only have a little left, so I'll use those up and start transferring over to all having the same jars. Luckly the commercial small 4oz Northstar jars are about the same height too, as I know I'm going to end up with some more of those too!

After

The slightly bigger job was to sort out rod storage for the incoming 26lb box of glass (yes, I went a little crazy with the ordering, but I figured it would keep me going for quite a while.)  It also became a bigger job as the table that it was going to go under had a strengthening bar that was in the way. In the end I replaced the table completely, it was quite old and rickety. A pack of 40mm plastic pipe chopped up into lengths has made a nice neat 60 storage holes, but I've left space above as I'd like to extend this later on. I probably should have gone for slightly wider tubing, some of the colours may have to take up 2 slots for now, but the 50mm came in dull grey rather than white. At the bottom I've left wider sections to keep the more bulky supplies of tubing.

Apart from this the other major January job has been to get the dust off my Etsy shop. If you check my Facebook page regularly you may have noticed I've gone listing crazy, as I try to get lots of variety and a range of items back into my Etsy shop. I've been aware for a while now how little I manage to list, Greenwich seems to have taken up an awful lot of time and energy this past year, so I'm taking a few weekends off over the quieter months to try and catch myself up in advance - if that makes sense!

New Fan, New Aches but No Toxic Gases

Well I finally got the new fan installed on boxing day. The original plan was for a day off (I've heard of those) and go out, but it seems it's business as usual when OH got called to work instead, so I figured I might as well use the time productively.

I was going to get a boxed acoustic fan, to keep down some of the noise, and know they are quite popular with many lampworkers, although I wanted something with a bit more power. I'd almost settled on one when I came across some reviews on a hydroponics forum, for which many of these fans are made. The reviews were good, but many of the mentioned a TD-Silent being the best and most reliable they'd come across. Price-wise they seemed pretty good for the money too, the one I wanted only had a 19db level too, so took a deep breath and placed my order.

I didn't quite expect something that looked like it had fallen off a military jet! I didn't get around to taking a picture, so here's a quite You-Tube link for those considering one! TD-Silent video

 The one I got has a massive 200mm intake and outlet, so the first job was stripping out the old fan, which it turns out might have needed a bit of a clean!



Old fan from the original cooker hood

 I've kept and used the switches from the original unit, it wasn't until the new fan turned up that I found it has two speed so needed more switches to control it. At the same time I took out the lights (which were in the wrong place so never used) in the cooker hood and just about anything that might block the airflow.


Straight up and into the outside world for you Mr nasty toxic carbon monoxide!

From there it was time to seal up the sides of the chimney. Originally I'd intended to use a big 200mm pipe I'd bought for the job, but since the old cooker extractor had a nice chimney that was nearly the same size I figured it would do just as well. A quick trim of some spare aluminium sheet, then a little duct tape to seal any gaps and holes and the job was nearly done. Or so I thought! A joist was in the way so everything came down so I could move the whole canopy over just 3 inches!

Shiny! There really is only one exit, but the mirror inside of the chimney makes it look like three!

After another hour or so of clambering around in dark and dirty, and very uncomfortable, spots to get a small bend of flexible tube attached and sealed, the job was really finished. It's not a very tidy or as neat looking as I'd wanted (I went a bit overboard with the duct tape!) and needs a bit of trunking to hide away the leads. It is quiet though, and a quick test with an incense stick showed even on low power it whisked it away with no problems. On high power I barely even saw the smoke leave the incense stick, it was just gone! Not as quiet as I thought, there is quite a rush of noise from the air moving, however when stepping just a few feet away I could hardly hear it, a huge improvement on the low rumble the old one used to generate.

Needs a bit of a clean, but despite the bodging it has nearly doubled the amount of air this old cooker extractor hood can remove

I'd expected it to take two days to get everything in place, so was pleased to get it done, despite the odd set-back, in a day. However today I've woken up with so many aching muscles and bruises I've got hardly anything done, thus getting chance to sit and blog, so maybe my original schedule was right after all!

I still am not sure if I'll be back to Greenwich between now and new year, I am sure I'll get around to a break sometime in the next few weeks if not! I hope you have all head a great Xmas, and may I be the first to wish you all a happy 2013!

Casting Pewter, and 'Carry on Screaming'

If you can't buy it, make it! Well, that's my motto, with the added proviso that if you can't buy quite what you need or what you buy is rubbish quality then see if you do better!

With a bit more time after the chaos that the lead up to xmas brings, I decided to try my hand again at pewter casting. I'd not done it for a while, put off by the cost of the special rubber resin that's needed to make the moulds. I wanted to make my own custom shaving brush parts, so at the same time thought it would be nice to add some extra flourish to them too, as well as making them more suitable for fitting glass parts to.

Here are my first efforts which, sadly, are disappointing but I knew the first ones wouldn't go to plan. I'd forgotten how hard the rubber was to work with, it's very thick and sticky, and my original sunk to the bottom making the mould too deep! Mind you, an old 'Moo card' box made a very handy mould former!

The first one (bottom left corner) has half the top missing where the metal didn't flow down properly. I tweaked the mould and it worked a little better, but the bottom was only half filled producing a half ring. I guess this was from the air not escaping quickly enough, or the sections being too thin for the metal to happily flow into it. I'd like to re-tweak the mould (thus saving some expensive rubber) but I think I might thicken up the sections of the prototype and start a fresh. The easiest way would be to split the mould to make two 'D' shaped sections, but I don't want too many mould lines so am trying to work with the natural dips in the prototype.

I found a little time for some glass, I've never managed to make eye's before (except very tiny, tiny ones) so when I saw in the latest 'Glassline' magazine a different way of making them I had to have a go! I think catching a bit of 'Carry on Screaming' before I made the first one might have influenced me a bit, with it's blood shot eye and trailing bloody optic nerve! The second was a bit more 'fish eye,' and when I got to the third I wondered what on earth I was going to do with all these wonky eyes!? I guess I'll end up popping them in a nice old laboratory jar and leave it in the kitchen spice rack! Yes, around here everyday is Halloween!

Whats in a name?

One of the first things I tried making in glass where heart beads. However my first efforts were rather ‘unfortunate’ so I was delighted to come across a new way of forming them freehand a little while ago. What I particularly like is the little hanger which adds an almost Victorian flourish to them, plus (when I get them right) the space between makes another heart shape! I still can’t get them quite even, but I’m probably being fussy! In fact I’ve just made one deliberately uneven, which I like it more than the even ones as I think it has more character!

Borosilicate colours can be really odd; because of the weird way they react with light they look different depending on the light source, the direction of the light, what’s behind the glass and so on. I’ve had to start taking photos with them on both white and black backgrounds to give a true impression of how these look. Under daylight the purple lustres come out (I guess it’s something to do with UV) but put them in front of a white card and they vanish again!

One of the colours I’ve been using to get really rich purple lustres is called ‘Silver Creek,’ which I had to order in direct from USA as no one stocks it over here. Before that I was using double purple and triple purple passion and still not getting the zing I wanted. I think it’s called ‘Silver Creek’ because it’s got a lot of silver in the formulation, but doesn’t really help tell you what colour it will be!

Boro colour makers have gone wild with their naming, I guess because all the ‘normal’ glass has got all the sensible names already! I’ve got rods with names like ‘Alien Blood’ (green-white) ‘Unobtainium’ (an amazing pearlised blue) ‘Steel Wool’ (glittery grey) even ‘Red Elvis’ a transparent red which sounds like it should be a Cold War Communist version of the King of Rock & Roll!

These odd names are rather handy as it helps me to remember what the colours do as unlike normal soft glass they don’t look the same as when they are melted in. Many of the rods are so dark they look dark blue or even black, but when used do strange things instead, even turning cream coloured! The older colours tried to have helpful names, but Green Amber Purple isn’t a great name – and this glass starts out Bristol Blue coloured plus I’ve not yet got any purple out of it either, although wonderful creams, yellows, ambers, blues and greens!. I try to label every boro rod, but I do end up scrabbling around for a certain colour with one hand while holding a hot marble in the other, so there can an element of serendipity as I end up using another colour instead.
At least these colours live up to, and often exceed, their wonderful mad names. Many years ago I was helping stack paints, all had been given glamorous emotive names like ‘harvest barley’ (a sort of yellow off-white) and ‘seagulls wing’ which turned out to be a very boring grey!

They’re Coming….. From Another Galaxy!!!

group of marbles
Originally uploaded by steampunkglass

Well the news seems to be out, my next project is being unveiled….. Galaxy Marbles! Yes, for all those who think I’ve lost them, here is a sneak preview of some that I have been squirreling away at over past few weeks. I still have a few kinks to iron out, but I think I’m just about there now! I am hoping to start listing some for sale soon, please keep an eye on the blog here or even twitter http://twitter.com/SteamPunkGlass when I will announce their release.

I have got the formula just about there now, and I got onto a great roll over this long weekend, with clearer definition and a lot less bubbles, more going on inside – I’ve been really getting excited about the results – until Easter Monday afternoon when my gas ran out! ARGH!!!!! Isn’t that always the way!

For me this has been a long process of evolution, I’ve surprised myself at the techniques I’ve learnt and developed whilst doing this project. From basic implosion flowers this led on to twists and spirals, then the whole new complexities of boro glass colours. There is a huge amount of chemistry involved, not my strongest point either! Boro colours have a lot of heavy metals, often it seems in greater/more dangerous quantities than soft glass. I’ve had to rethink and improve my ventilation as well to work these. Some have high levels of chrome which when heated become gas, some of which can then re-form with the molten glass producing new glass within the glass. Doesn’t sound like a problem, until finding out the new glass has different expansion properties – which is why I have one marble with a great big split in it!

I think it’s a testament to soft glassmakers that we have such a range of colours which we can use without too much thought about compatibility. I know there are a few that aren’t compatible and cause cracking issues, and we always moan when they do as it’s so frustrating when something toiled over breaks. Boro colours have only been around to artists since the early 1980’s, and clear Borosilicate is just over 100 years young, whereas soft glass has been around for thousands of years, so it’s hardly surprising it’s got the edge on reliability!

Anyway, enough glass-geek talk, I need to go and take the long walk to the gas shop!

Accidental Glass

Sometime it’s the accidents that help me do things better, these are the ‘happy’ accidents, although they don’t always seem happy at the time!
I have spend days working on a new type of necklace with leaves made of glass, and I’m not talking about those little mould stamped green leaves you see in the bead shops, these are monsters! Most are about 2-3inches long, twisted, with colours layered into them using borosilicate glass. After I made the first batch I found the choker I put them on was too thick for the holes I made. Drat! So next glass session I make some more, and since they are organically made but going with the flow of the glass, not all of them were useable on the necklace I had in mind (although I am sure I will find a use for them eventually, even if it’s selling them in a de-stash sometime!). I threaded some on, and realised it needed so spacer beads, but once again the wire was too thick for my stash. This is where being a lampworker comes in handy, I was back to the torch for third time to make some customer green spacer beads!

So after a lot of to and fro-ing, I finally got the necklace done. Something bothered me about it, maybe it was because it didn’t just ‘happen’ as my best stuff does when some magic brings it all together. Regardless I went to take some snaps of it, and was trying to set up some pictures when the whole thing slid off onto the floor, meeting up with various objects that were rather ‘too solid’ for such a delicate crop of leaves. I think you can guess the result!

I don’t know if I’ve become more ‘Zen’ since I’ve started lampworking, or just because I was so tired, but I wasn’t as upset as I probably should have been about this, but when I looked at the ‘remain’ an hour later, it suddenly clicked. Only three of the leaves had survived, and it looked so much better like this! Less is more, I reminded myself! I made some slight adjustments, and it looks good, although I think I can still make some much better leaves for the next and final version.

I’ve been quite busy lately, and I’ve recently opened another shop outlet on MISI, where I’ve been transferring some of my stock from the old Etsy Shop. I am still in two minds about Etsy, but until things pick up or I have time to make 200 things to list there to make it worthwhile I will be putting stuff onto Folksy and MISI for the time being. They are all priced in £££’s rather than suffering exchange rate yo-yoing, and are just really nice places to be at the moment with a lot of friendly folk there. www.folksy.com/shops/SteamPunkGlass or my new MISI shop atwww.misi.co.uk/steampunkglass Hope to see you there!

Evil Ruler of The Kiln Galaxy

Small Blue Worlds
Originally uploaded by steampunkglass

It seems at the moment I am at my most productive on a Sunday. Saturday seems to start slowly, plus this weekend I was completely shattered which is not great for being creative. Sunday was a different matter! I cleaned down my work desk and decided to leave the boro flowers for a while to use up my soft glass stash. This was about the time I realised how much I’ve come to love off-mandrel working! Twiddling around sticks of bent metal that are covered in potential harmful dust is not ideal (although I still love the smell when first heated, reminds me of my first time bead making.)

Second bead and straight in with 101-stupid-mistakes! ‘Putting hot sticky bead into kiln and touching other hot bead.’ Not a good start, although I think I saved one of them, albeit after having to reshape it again.

So enough with normal beads, thought I’d make some more of my ‘little worlds,’ which I’ve had some nice comments back about this week. I’ve been meaning to make some more for a while, and to try out some new colour combos as well. Suddenly it all clicked again, and from having mandrels sitting around gathering dust, and bead release hardening in the pot, I actually had to raid my drawers for any more I could find – even some part bent ones! I’ve filled the kiln before, but never this much! The kiln turned into a little galaxy of Planets!

I’ve done a good few with the classic deep blue, (as per the picture here) plus more of a nice pale green peridot colour. I’ve not listed any of these yet as for some reason I can’t seem to get any of these to be a close size match yet. I have had a go with some more ‘Mars Red’ and some fab ‘Indigo’ – yet more new colours I have yet to unveil! However I left the best to last, and think I have come up with some of the best little worlds I have EVER made! Even ‘The Boss’ was blown away by them, and that takes some doing! I am really excited about the way these are going now, the three hours for the kiln to cool was torture last night! The only problem I have is I only have a tiny bit of this glass left, and when I checked this morning found out because of the high silver content it’s about 12 times the cost of the normal blue!!!! Ekk!!!!! I will have to ration this stuff!

I will get these cleaned up later this week so I can make some new earring with them, keep a look out for the pictures as these really are worth seeing, until then I’m going to be mean and leave you wondering about them - after all I seem to be Evil ruler of my very own universe of little planets now!

Absinthe

Looking at old glass is always inspiring, and when I recently saw some Absinthe coloured raw glass I immediately thought of an old friend Ron at http://www.lividlookingglass.com/
I knew Ron, and his lovely French wife Fran when they lived in London. He would spend his weekends prowling antique markets, bottle fairs, and Parisian flea markets hunting down poison bottles that he collects. Now back in California he trades in antique and reproduction Absinthe memorabilia, along with other quirky bits that take his fancy, from Zombie finger puppets, Hogarth prints, and alternative baby clothes – very handy at the moment for his newly arrived son Vincent!

I guess I shouldn’t be surprised at the elegance and variety of the glassware, although delicate looking most of them would have had to survive a pretty harsh café life; not to mention being repeatedly heated as drunk Parisians set light to Absinthe soaked sugar cubes suspended over the glasses on slotted spoons. The hot flaming syrup would then drip into the rest of the Absinthe, which might also catch alight, then be diluted down to a cloudy pale green with water until the fire went out! Hummm, along with the fire risk, and the brain damager from drinking 55-70% proof alcohol laced with poisonous wormwood I guess it’s not surprising it got banned in France! Apparently the prohibition was delayed while the major producer rushed to make a copy that tasted the same without the dangers. The name of the maker? Why, a Mr Pernod.

Well worth a look at the website, personally I love the ‘Absinthe fountains’ which were used to hold water for dousing the flames, and an intriguing look at a bygone fad that sent half of Paris drunk and mad! Yes, I have tried it (my other half in a holiday cottage dripping flaming blue sugar everywhere was a bit worrying! Not doing that again!) It was ‘orriable, I’ll stick to ale or tea! It’s safer!